Original Title: Untimed
Author: Andy Gavin
Publisher: Mascherato
Release Date: December 17th 2012
Genre: Young-adult, Romance
Charlie’s the kind of boy that no one notices. Hell, even his own mother can’t remember his name. And girls? The invisible man gets more dates.
As if that weren’t enough, when a mysterious clockwork man tries to kill him in modern day Philadelphia, and they tumble through a hole into 1725 London, Charlie realizes even the laws of time don’t take him seriously.
Still, this isn’t all bad. In fact, there’s this girl, another time traveler, who not only remembers his name, but might even like him! Unfortunately, Yvaine carries more than her share of baggage: like a baby boy and at least two ex-boyfriends! One’s famous, the other’s murderous, and Charlie doesn’t know who is the bigger problem.
When one kills the other — and the other is nineteen year-old Ben Franklin — things get really crazy. Can their relationship survive? Can the future? Charlie and Yvaine are time travelers, they can fix this — theoretically — but the rules are complicated and the stakes are history as we know it.
And there's one more wrinkle: he can only travel into the past, and she can only travel into the future!(
What do you consider the most challenging about writing a novel, or about writing in general?
The endless re-reading and careful editing is quite tedious (although I do a lot of it!). Sitting down to read the entire book again for the 50th time takes some serious will power. But overall, I’d say the hardest part was trying to balance my desire for prose minimalism with the need to “tell” the reader what they are supposed to know/feel. Ideally, one doesn’t tell them much of anything, but instead shows and implies. I love when a beat subtly betrays the emotions of a character, but at the same time, not all readers pick up on these niceties. My style is much closer to hard boiled early or mid twentieth century writers than it is to the type of melodramatic prose sometimes found in today’s YA hits (Twilight, here’s looking at you!).
How did you come up with the title?
I wanted a single word title, and I wanted it to imply time travel, so I bounced words and phrases around in my head until I came up with UNTIMED. It seemed pretty good immediately.
Can you tell us about your main character?
Charlie’s the kind of boy that no one notices. Hell, his own mother can’t remember his name. So when a mysterious clockwork man tries to kill him in modern day Philadelphia, and they tumble through a hole into 1725 London, Charlie realizes even the laws of time don’t take him seriously. Still, this isn’t all bad. Who needs school when you can learn about history first hand, like from Ben Franklin himself. And there’s this girl… Yvaine… another time traveler. All good. Except for the rules: boys only travel into the past and girls only into the future. And the baggage: Yvaine’s got a baby boy and more than her share of ex-boyfriends. Still, even if they screw up history — like accidentally let the founding father be killed — they can just time travel and fix it, right? But the future they return to is nothing like Charlie remembers. To set things right, he and his scrappy new girlfriend will have to race across the centuries, battling murderous machines from the future, jealous lovers, reluctant parents, and time itself.
Who designed the cover?
The cover photo-illustration is by award winning fantasy artist Cliff Nielsen. I found him originally for my first novel, The Darkening Dream. Back then, I combed through the more recent books in my 10,000 novel collection and put aside ones with covers I liked. Going through those I found like eight (including the new edition of Narnia!) with covers by Cliff. But it was really the Map of Time cover that totally sold me. I had to have him do mine. So I called.
What was the hardest part about writing this book?
With Untimed, the hardest parts had to do with the time travel. First of all, I had to come up with a unique new system that allowed multiple visits to the same time period, but wasn’t too overpowered. If your characters are too powerful, there is no jeopardy. So I had to invent all the restrictions and deal with the issues of paradox (and I think I have a crafty new solution there). Then I had to figure out how to make returning to the SAME action actually interesting for the reader. That was even harder.
Will you write others in this same genre?
For sure, I’m already at work on the sequel.
Is there a message in your novel that you want readers to grasp?
I wanted to show people that the past didn’t have to be boring, and that while situations and society changes, people stay the same. I also wanted to illustrate that while people in the past are just as human, things really have improved in many ways. By having Charlie, who as a contemporary kid is our representative, experience different times first hand, it’s easy to contrast them.
How much of the book is realistic?
Everything but the time travel and the Tick-Tocks is as realistic as I could make it. I did a tremendous amount of research on all my periods and if anything, I understate the zany and shocking quality they probably would have had on a modern.
How important do you think villains are in a story?
As a writer, I adore villains and I think Untimed has some pretty good ones. Donnie, as the human villain, is clearly more realistic. He’s a nasty bastard, very self centered and temperamental, but at the same time I wanted to make him likeable, or at least charismatic. Guys like him would have been charming – some of the time. But the Tick-Tocks are cool tool in their more archetypal way. Rapier is like a kind of Boogie-man. He’s always in the wrong place at the right time (for him!).
What are your goals as a writer?
I want to tell commercial and fun tales that have some depth to them. This means balancing character and traditional drama (not melodrama) with cool scenarios and rapid pacing. Fundamentally, I want to entertain.
Author: Andy Gavin
Publisher: Mascherato
Release Date: December 17th 2012
Genre: Young-adult, Romance
Charlie’s the kind of boy that no one notices. Hell, even his own mother can’t remember his name. And girls? The invisible man gets more dates.
As if that weren’t enough, when a mysterious clockwork man tries to kill him in modern day Philadelphia, and they tumble through a hole into 1725 London, Charlie realizes even the laws of time don’t take him seriously.
Still, this isn’t all bad. In fact, there’s this girl, another time traveler, who not only remembers his name, but might even like him! Unfortunately, Yvaine carries more than her share of baggage: like a baby boy and at least two ex-boyfriends! One’s famous, the other’s murderous, and Charlie doesn’t know who is the bigger problem.
When one kills the other — and the other is nineteen year-old Ben Franklin — things get really crazy. Can their relationship survive? Can the future? Charlie and Yvaine are time travelers, they can fix this — theoretically — but the rules are complicated and the stakes are history as we know it.
And there's one more wrinkle: he can only travel into the past, and she can only travel into the future!(
INTERVIEW WITH ANDY GAVIN
What do you consider the most challenging about writing a novel, or about writing in general?
The endless re-reading and careful editing is quite tedious (although I do a lot of it!). Sitting down to read the entire book again for the 50th time takes some serious will power. But overall, I’d say the hardest part was trying to balance my desire for prose minimalism with the need to “tell” the reader what they are supposed to know/feel. Ideally, one doesn’t tell them much of anything, but instead shows and implies. I love when a beat subtly betrays the emotions of a character, but at the same time, not all readers pick up on these niceties. My style is much closer to hard boiled early or mid twentieth century writers than it is to the type of melodramatic prose sometimes found in today’s YA hits (Twilight, here’s looking at you!).
How did you come up with the title?
I wanted a single word title, and I wanted it to imply time travel, so I bounced words and phrases around in my head until I came up with UNTIMED. It seemed pretty good immediately.
Can you tell us about your main character?
Charlie’s the kind of boy that no one notices. Hell, his own mother can’t remember his name. So when a mysterious clockwork man tries to kill him in modern day Philadelphia, and they tumble through a hole into 1725 London, Charlie realizes even the laws of time don’t take him seriously. Still, this isn’t all bad. Who needs school when you can learn about history first hand, like from Ben Franklin himself. And there’s this girl… Yvaine… another time traveler. All good. Except for the rules: boys only travel into the past and girls only into the future. And the baggage: Yvaine’s got a baby boy and more than her share of ex-boyfriends. Still, even if they screw up history — like accidentally let the founding father be killed — they can just time travel and fix it, right? But the future they return to is nothing like Charlie remembers. To set things right, he and his scrappy new girlfriend will have to race across the centuries, battling murderous machines from the future, jealous lovers, reluctant parents, and time itself.
Who designed the cover?
The cover photo-illustration is by award winning fantasy artist Cliff Nielsen. I found him originally for my first novel, The Darkening Dream. Back then, I combed through the more recent books in my 10,000 novel collection and put aside ones with covers I liked. Going through those I found like eight (including the new edition of Narnia!) with covers by Cliff. But it was really the Map of Time cover that totally sold me. I had to have him do mine. So I called.
What was the hardest part about writing this book?
With Untimed, the hardest parts had to do with the time travel. First of all, I had to come up with a unique new system that allowed multiple visits to the same time period, but wasn’t too overpowered. If your characters are too powerful, there is no jeopardy. So I had to invent all the restrictions and deal with the issues of paradox (and I think I have a crafty new solution there). Then I had to figure out how to make returning to the SAME action actually interesting for the reader. That was even harder.
Will you write others in this same genre?
For sure, I’m already at work on the sequel.
Is there a message in your novel that you want readers to grasp?
I wanted to show people that the past didn’t have to be boring, and that while situations and society changes, people stay the same. I also wanted to illustrate that while people in the past are just as human, things really have improved in many ways. By having Charlie, who as a contemporary kid is our representative, experience different times first hand, it’s easy to contrast them.
How much of the book is realistic?
Everything but the time travel and the Tick-Tocks is as realistic as I could make it. I did a tremendous amount of research on all my periods and if anything, I understate the zany and shocking quality they probably would have had on a modern.
How important do you think villains are in a story?
As a writer, I adore villains and I think Untimed has some pretty good ones. Donnie, as the human villain, is clearly more realistic. He’s a nasty bastard, very self centered and temperamental, but at the same time I wanted to make him likeable, or at least charismatic. Guys like him would have been charming – some of the time. But the Tick-Tocks are cool tool in their more archetypal way. Rapier is like a kind of Boogie-man. He’s always in the wrong place at the right time (for him!).
What are your goals as a writer?
I want to tell commercial and fun tales that have some depth to them. This means balancing character and traditional drama (not melodrama) with cool scenarios and rapid pacing. Fundamentally, I want to entertain.
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